Chopping up the first sequence of La Dolce Vita (Federico Fellini, 1960), in which a sculpture of Jesus is carried over the city by a helicopter, the artist made 10 inkjet prints of this sequence. She then wrote five lines from The Wasteland (T.S. Eliot, 1922) on each image, juxtaposing these two opposing critiques of modernity.
merve ünsal 